“Are those...pussy
willows...?”
While many hardcore John
Waters fans prefer his early, grittier works (Pink Flamingos, Female
Trouble, Desperate Living), others gravitate more to his
family-friendly titles (Hairspray, Cry Baby). There’s a small
group of about four who actually enjoy A Dirty Shame (I mean, come on.
How can you not bust a stitch when Tracey Ullman, known for a slightly
different brand of comedy, delivers such insane lines as “Now that’s what I
call sneezin’ in the cabbage!” or “Something is the matter with your
vagina!”) and I’m proud to say I’m a card-carrying member.
My absolute favorite Waters
opus has always remained Serial Mom, a “June Cleaver with an actual cleaver”
story of a domestic goddess, who discovers there’s a more efficient way of
dealing with people who don’t properly take care of their teeth, refuse to
recycle, and yes, steal her parking space. This was a role tailor-made for
Kathleen Turner, who gives what I humbly consider to be the performance of her
career. John himself has said no one could’ve played the role of Beverly
Sutphin the way she has and I wholeheartedly agree. With conviction and a
motherly smile, Turner is well within her element brandishing such weapons as a
leg of lamb, scissors, a hairspray blowtorch, and, of course, a butcher knife.
Sadly, Serial Mom did
quite poorly at the box office (didn’t even make back its $13,000,000.00
budget) and received mixed reviews from critics. As so many other cult classics
of the ‘80s and ‘90s, the film did, however, find an audience on home
video—an audience who obviously loves reciting quotes like “IS THIS THE
COCKSUCKER RESIDENCE?!” and “You can’t wear white shoes after Labor
Day.” The Blu ray edition, running 1:33:46, was used as a source for this
episode, which contains lots of anecdotes on John Waters and his extensive
library of trash cinema (and I mean “trash” in the best possible way), not to
mention what it was like meeting the man himself at a book signing here in
Philadelphia way back in the fall of 2005.
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